Iain McGilchrist is a psychiatrist and writer who works privately in London, and otherwise lives on the Isle of Skye.
He is committed to the idea that the mind and brain can be understood only by seeing them in the broadest possible context, that of the whole of our physical and spiritual existence, and of the wider human culture in which they arise – the culture which helps to mould, and in turn is moulded by, our minds and brains.
He was a late entrant to medicine. After a scholarship to Winchester College, he was awarded a scholarship to New College, Oxford, where he read English. He won the Chancellor’s English Essay Prize and the Charles Oldham Shakespeare Prize in 1974 and graduated (with congratulated 1st Class Hons) in 1975 (MA 1979). He was awarded a Prize Fellowship of All Souls College, Oxford in 1975, teaching English literature and pursuing interests in philosophy and psychology between 1975 and 1982. He then went on to train in medicine, and during this period All Souls generously re-elected him to a further Fellowship (1984-1991), and again in 2002 (to 2004).
He was formerly a Consultant Psychiatrist of the Bethlem Royal and Maudsley NHS Trust in London, where he was Clinical Director of their southern sector Acute Mental Health Services. He is a Fellow of the Royal College of Psychiatrists and is specially approved by the Secretary of State under Section 12(2) of the Mental Health Act, 1983. He trained at the Maudsley Hospital in London, working on specialist units including the Neuropsychiatry and Epilepsy Unit, the Children’s Unit and the Forensic Unit, as well as, at Senior Registrar level, the National Psychosis Referral Unit and the National Eating Disorder Unit. During this period he also worked as a Research Fellow in neuroimaging at the Johns Hopkins Hospital in Baltimore, USA. His clinical experience has been broad-based, and he has run a busy Community Mental Health Team in an ethnically diverse and socially deprived area of south London. He is interested in a wide range of psychiatric conditions, including depression, psychosis, personality disorders (especially borderline personality disorder), anxiety disorders, chronic low self-esteem, phobias, alcohol and drug abuse, as well as neuropsychiatry.
He has published original articles in a wide range of papers and journals, including the Times Literary Supplement, The London Review of Books, The Listener, Essays in Criticism, Modern Language Review, The Sunday Times, The Sunday Telegraph, BMJ, English Historical Review, British Journal of Psychiatry, and American Journal of Psychiatry, on topics in literature, medicine and psychiatry, and has published original research on neuroimaging in schizophrenia, the phenomenology of schizophrenia, and other topics. He took part in a two-part Channel 4 documentary, Soul Searching, in 2003. His first book, Against Criticism, was published by Faber in 1982, and dates from before his medical training, but deals with issues of the wholeness, uniqueness and embodied nature of the work of art, which are continuous with his current concern, the relationship between the history of ideas and shifts in brain hemisphere function, a topic which he has been researching for 20 years, and which is the subject of a recent book published by Yale University Press, The Master and his Emissary: The Divided Brain and the Making of the Western World.
His other interests include the relationship between creativity and mental illness, and he is currently working on a number of books: a critique of contemporary society and culture from the standpoint of neuropsychology; a study of the paintings of subjects with schizophrenia; a series of essays about culture and the brain with subjects from Andrew Marvell to Serge Gainsbourg; and a short book of reflections on spiritual experience.
About The Master and His Emissary
Ian McGilchrist is well known for his classic book, The Master and His Emissary. Many scientists have struggled to understand why nature has so carefully segregated the hemispheres, or how to make coherent the large, and expanding, body of evidence about their differences. Yet no one who knows anything about the area would dispute for an instant that there are significant differences: it’s just that no-one seems to know why. And we now know that every type of function – including reason, emotion, language and imagery – is subserved not by one hemisphere alone, but by both.
The Master and His Emissary argues that the differences lie not, as has been supposed, in the ‘what’ – which skills each hemisphere possesses – but in the ‘how’, the way in which each uses them, and to what end. But, like the brain itself, the relationship between the hemispheres is not symmetrical. The left hemisphere, though unaware of its dependence, could be thought of as an ’emissary’ of the right hemisphere, valuable for taking on a role that the right hemisphere – the ‘Master’ – cannot itself afford to undertake. However it turns out that the emissary has his own will, and secretly believes himself to be superior to the Master. And he has the means to betray him. What he doesn’t realize is that in doing so he will also betray himself.
The book begins by looking at the structure and function of the brain, and at the differences between the hemispheres, not only in attention and flexibility, but in attitudes to the implicit, the unique, and the personal, as well as the body, time, depth, music, metaphor, empathy, morality, certainty and the self. It suggests that the drive to language was not principally to do with communication or thought, but manipulation, the main aim of the left hemisphere, which manipulates the right hand. It shows the hemispheres as no mere machines with functions, but underwriting whole, self-consistent, versions of the world. Through an examination of Western philosophy, art and literature, it reveals the uneasy relationship of the hemispheres being played out in the history of ideas, from ancient times until the present. It ends by suggesting that we may be about to witness the final triumph of the left hemisphere – at the expense of us all.
A small sample of the responses to Iain McGilchrist’s The Master and His Emissary:
|‘Really superb! The best book on laterality I have ever read, with profound implications for the nature of consciousness … Interdisciplinary scholarship unparalleled in recent years … a true masterpiece … The best book I’ve read in the past decade.’|
– Professor Jaak Panksepp, author of the classic works Affective Neuroscience, and A Textbook of Biological Psychiatry
‘A marvellous and highly original synthesis of ideas on how the division of labour between the two brain hemispheres can provide key insights into human nature – it’s odd that such an important subject has been neglected.’
– Professor VS Ramachandran, Director of the Center for Brain and Cognition, and head of the Neurosciences Graduate Program at the University of California, San Diego, author of The Tell-Tale Brain, and Phantoms in the Brain
‘This is a very remarkable book … McGilchrist, who is both an experienced psychiatrist and a shrewd philosopher, looks at the relation between our two brain-hemispheres in a new light, not just as an interesting neurological problem but as a crucial shaping factor in our culture … clear, penetrating, lively, thorough and fascinating … splendidly thought-provoking … I couldn’t put it down.’
– Professor Mary Midgley, Emeritus Professor of Moral Philosophy, Newcastle University, writing in The Guardian
‘This book is a wake-up call … The most comprehensive, and lucid, review to date of findings from research on differences in consciousness, motives and emotions in the two cerebral hemispheres … Roger Sperry would have approved.’
– Professor Colwyn Trevarthen, Professor of Child Psychology and Psychobiology, School of Philosophy, Psychology and Language Sciences, University of Edinburgh, and one of the original researchers with Nobel Prize-winner Roger Sperry at Caltech on perceptuomotor and cognitive functions of the cerebral hemispheres